Where the Blue Begins — Key Ideas to Explore
Edition facts
This digital edition of Where the Blue Begins — Key Ideas to Explore is described by source-level measurements including 42,906 words, 3 hr 7 min estimated reading time, and 5 detected text sections.
The text analysis averages about 15.4 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Fantasy fiction,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
ure, and could not reach up to the place where the rack was screwed over the sink. Like all people whose minds are very active, Gissing hated to attend to little details like this. It was a weakness in his character. Fuji had asked him six times to fix the rack, but Gissing always pretended to forget about it. To appease his methodical butler he had written on a piece of paper FIX DISHCLOTH RACK and pinned it on his dressing-table pincushion; but he paid no attention to the memorandum.
He went out into a green April dusk. Down by the pond piped those repeated treble whistlings: they still distressed him with a mysterious unriddled summons, but Mike Terrier had told him that the secret of respectability is to ignore whatever you don't understand. Careful observation of this maxim had somewhat dulled the cry of that shrill queer music. It now caused only a faint pain in his mind. Still, he walked that way because the little meadow by the pond was agreeably soft underfoot. Also, when he walked close beside the water the voices were silent. That is worth noting, he said to himself. If you go directly at the heart of a mystery, it ceases to be a mystery, and becomes only a question of drainage. (Mr. Poodle had told him that if he had the pond and swamp drained, the frog-song would not annoy him.) But to-night, when the keen chirruping ceased, there was still another sound that did not cease--a faint, appealing cry. It caused a prickling on his shoulder blades, it made him both angry and tender. He pushed through the bushes. In a little hollow were three small puppies, whining faintly. They were cold and draggled with mud. Someone had left them there, evidently, to perish. They were huddled close together; their eyes, a cloudy unspeculative blue, were only just opened. “This is gruesome,” said Gissing, pretending to be shocked. “Dear me, innocent pledges of sin, I dare say. Well, there is only one thing to do.”
He picked them up carefully and carried them home.
“Quick, Fuji!” he said. “Warm some milk, some of the Grade A, and put a little brandy in it. I'll get the spare-room bed ready.”
He rushed upstairs, wrapped the puppies in a blanket, and turned on the electric heater to take the chill from the spare-room. The little pads of their paws were ice-cold, and he filled the hot water bottle and held it carefully to their twelve feet. Their pink stomachs throbbed, and at first he feared they were dying. “They must not die!” he said fiercely. “If they did, it would be a matter for the police, and no end of trouble.”
Fuji came up with the milk, and looked very grave when he saw the muddy footprints on the clean sheet.
“Now, Fuji,” said Gissing, “do you suppose they can lap, or will we have to pour it down?”
In spite of his superior manner, Fuji was a good fellow in an emergency. It was he who suggested the fountain-pen filler. They washed the ink out of it, and used it to drip the hot brandy-and-milk down the puppies' throats. Their noses, which had been icy, suddenly became very hot and dry. Gissing feared a fever and thought their temperatures should be taken.
“The only thermometer we have,” he said, “is the one on the porch, with the mercury split in two. I don't suppose that would do. Have you a clinical thermometer, Fuji?”
Fuji felt that his employer was making too much fuss over the matter.
“No, sir,” he said firmly. “They are quite all right. A good sleep will revive them. They will be as fit as possible in the morning.”
Fuji went out into the garden to brush the mud from his neat white jacket. His face was inscrutable. Gissing sat by the spare-room bed until he was sure the puppies were sleeping correctly. He closed the door so that Fuji would not hear him humming a lullaby. Three Blind Mice was the only nursery song he could remember, and he sang it over and over again.
When he tiptoed downstairs, Fuji had gone to bed. Gissing went into his study, lit a pipe, and walked up and down, thinking. By and bye he wrote two letters. One was to a bookseller in the city, asking him to send (at once) one copy of Dr. Holt's book on the Care and Feeding of Children, and a well-illustrated edition of Mother Goose. The other was to Mr. Poodle, asking him to fix a date for the christening of Mr. Gissing's three small nephews, who had come to live with him.
Gissing, a dog of independent means, lives with his Japanese butler Fuji in the Canine Estates, a woodland suburb where dogs behave like Edwardian gentlemen. The opening chapter establishes a tone of wry domestic comedy: Gissing smokes in bed, telephones his butler when staying out, and maintains a formal dinner routine even when alone. Yet beneath this comfort, he is restless—'having fun is not quite the same as being happy.' The narrative voice is confiding and slightly arch, addressing the reader directly ('I do not attempt to explain it') and treating Gissing's canine nature as incidental rather than allegorical. This matter-of-fact anthropomorphism, where dogs have incomes measured in 'bones' and attend country clubs, is the book's central conceit.
A Dog's World, Not a Fable
The catalog classifies Where the Blue Begins as fantasy fiction, but the excerpts show a world built on social satire rather than magic or wonder. Dogs are not talking animals in a fairy-tale sense; they are characters with jobs, correspondence, and class anxieties. Gissing's butler Fuji is Japanese, yet the story never remarks on this—a detail that signals the author's casual use of human social structures. The fantasy lies in the premise, not in plot devices: there are no spells, quests, or supernatural events in the provided text. Instead, the book uses its canine society to examine human preoccupations with respectability, vocation, and escape. The 'blue' of the title appears only in the epigraph poem, where it suggests a truant freedom beyond domestic leash-hold.
The Restless Bachelor's Progress
Gissing's journey is structured as a series of attempted vocations, each revealed through letters and documents. After leaving his comfortable home, he becomes a department store manager, then seeks holy orders. The excerpts show him writing to a bishop on Beagle & Company letterhead, signing himself 'MR. GISSING' with comic formality. His former pastor, Mr. Poodle, refuses a recommendation, citing Gissing's desertion of his family and 'eccentric' record. These episodes are presented not as moral lessons but as ironic episodes: Gissing treats each new role as a 'suicide' of a previous self, paring down 'the unreal and factitious Gissings.' The narrative withholds judgment, letting the absurdity of a dog applying for a bishopric speak for itself.
Voice and Structure: Letters, Coffee, and the Percolator Oracle
Morley builds the story through embedded documents—letters, telegrams, and notes—that advance the plot while revealing character. Gissing's correspondence is a highlight: his letter to Bishop Borzoi addresses him as 'VERY RIGHT REVEREND' and asks about 'any sees outstanding.' The author also uses domestic rituals for comic effect. Gissing's percolator becomes a private oracle, its bubbling interpreted as 'Appeal—to—the—Bishop.' This blend of mundane detail and mock-heroic treatment is typical of the book's style. The narrative voice remains consistently urbane, fond of parenthetical asides and understatement. Even when Gissing reads of Mr. Beagle's death—'the merchant died of a broken heart'—the tone stays dry, leaving the reader to gauge the emotional weight.
Readers should approach Where the Blue Begins as a satirical picaresque rather than a children's fantasy. The dog characters are a lens for early twentieth-century anxieties about purpose and conformity. Pay attention to the letters and official documents, which carry much of the plot and humor. The excerpts end before Gissing's quest concludes, so the meaning of 'the blue' remains open—a deliberate ambiguity that rewards close reading of the epigraph and the protagonist's restless self-reinventions.
Gissing’s restless trot through the Canine Estates always reminded me of Montresor’s unhurried walk, both seeking a meaning hidden beneath surface comforts. One finds it in vocation, the other in vengeance, yet each doggedly follows a private map. The Cask of Amontillado — A Reader’s Guide holds that same quiet, deliberate pulse—a story that waits patiently for a patient reader.
There are no reviews for this eBook.
How did this book work for you?
Your answers remain private and are stored only in this browser.